Kerosene Curry!!

Posted in News on February 19th, 2013 by admin
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It’s finally here!!!

After 3 years of work which included assistance from numerous people who donated their time to taste test recipes, offer editing expertise and the time-consuming work of designing the book, (huge thanks to Nicole Sims (Coley Sims Creative) who donated hours and hours and hours…) Kerosene Curry has arrived. The book’s journey began in the slum community of Saki Naka, Mumbai nearly three years ago. My mother (Cindy Ryan) spent a very hot and cramped couple of months inside tin shacks huddled over kerosene burners in the lane ways of the community madly trying to decipher the hindi/marathi language using hand gestures as she penned the women’s recipes. The women, who come from all parts of India to attempt a better life in Mumbai, were  humbled, excited and proud to show off their traditional styles of cooking passed down through generations. Leaving Mumbai with a small book filled with wrinkled pages of notes and hundreds of photographs she arrived back home. Three years later, which included multiple trips straddling India and Canada, the crumpled note book has morphed into a beautifully designed book with the women’s stories, recipes and photos of the community they call home. This book has been the ultimate labour of love and we are so excited to bring their recipes to life for all of you.

The women of Girls Can Be (also from the Saki Naka community) spent hours sewing reversible aprons made from 100% cotton sheeting to be sold as a compliment to the cookbook or alone. The colourful, bold patterned sheeting is used in slum homes as bedding and can be seen drying in the sun on bamboo poles, hung on wire lines on the backs of tin huts, and used as curtains in ragged doorways offering colour and pattern to bleak surroundings.

DWP’s new partnership with Lost + Found Cafe in Vancouver has given DWP a new home base here in Canada where you can purchase your very own copy of Kerosene Curry! All proceeds from the sale of the book go to the Dirty Wall Project.

Kerosene Curry Cookbook: $29  

Reversible Apron: $20 

Combination Kerosene Curry cookbook + reversible apron $45 (shipping/handling $5 per book/per apron (within Canada)/ $9 (USA)/ International rates differ depending on country.

To purchase a copy of the book please email: dirtywallproject@gmail.com or call Lost +Found Cafe 604-559-7444 (Vancouver)

 

Below is the story of how this book came about…

 

June 2010,  Mumbai, India

My eyes water. It may be from the heap of onions, freshly sliced, sitting on a plate nearby, or it may be from the smoke of burning garbage, or the sweat dripping from my forehead into my eyes, or it may be the kerosene burner, throwing invisible fumes into the small, windowless room.

I wear a scarf to wipe my eyes and my forehead. I wipe my hands on my pants, so that the pen doesn’t slip out of my fingers, and the paper I am writing on stays dry. It is humid, hot and stifling in the tiny dwellings in the slum. I have been invited into their homes to watch and learn how to make amazing, simple, Indian food.

Once the women wake the children, put away the sleeping mat, sweep out their tiny homes, and clear the puddles and garbage away from their doors, we walk to the shops. There is some excitement in deciding what to cook. We shop together at the markets, but I pay for everything. This allows the women to cook recipes they wouldn’t be able to afford, and to make enough to feed their families for a few days, with ingredients left over. I am excited about their menus each day, eager to make sense of the complex flavours, and  learn the methods for making delicious curries, chapati, and sweet treats.

The Saki Naka slum community is home to women from all over India. The food they cook reflects their heritage in the spices they use, the methods they use, and the type of food they covet. Goats were slaughtered in front of me, chickens necks were sliced and their feathers were expertly and quickly removed, fish were grabbed by the gills from a bucket of murky water, slapped on a large, grimy stump, heads were removed, and the scales were scraped with a dull knife. All this bloody carnage was plopped in plastic bags, tied tight, and dropped into the women’s shopping bags, but not before the flies had had their feast on the raw meat. Vegetable vendors line the uneven streets with piles of expertly arranged produce to seduce the crowds of shoppers. We buy bitter gourd, tiny eggplant, lots of onion, bags of garlic, and bunches of cilantro. The tomatoes are plump and juicy and thrown into another plastic bag with some green chilis. I am the subject of much conversation. I can tell by the hundreds of eyes who are staring at the only westerner in these parts. The stares melt into grins and a nod of the head and sometimes a lilting “hello”.

The cooking and the prepping takes place on the floor. Indian women handle food with delicate gestures,  slow chopping, and gentle stirring. The food is not attacked, it is seduced into simmering broths of heady, spicy aromas. Debris from slicing, grating and pounding is scraped by hand off the floor, and put into a container to be disposed of later. Knives are basic. All the prepped ingredients are put into little containers to be used as necessary in the preparation of a meal. Dishes are washed and rinsed under a tap in the corner of the room where they also bathe. They take care to wash all meats and vegetables before using, and  expertly guide children, with their muddly feet,  around the sliced and diced ingredients laying in dishes on the floor. Children are offered tastes in tiny, metal dishes and relish the flavours. Torn pages from newspapers drink the leftover oil from deep fried morsels. Nothing is wasted in the slum. Everything is repurposed.

I watch from my cross-legged position in a corner of the room and write furiously in my notebook,  making notes about approximate quantities (they don’t measure), cooking times, and trying to decipher what they are telling me. They speak Marathi. Sign language is necessary. I am startled when all the homes have an electric grinder to make the masala paste and grind spices. This is their most coveted cooking tool and the their only appliance. As the food bubbles in hammered aluminum pots with plates for lids, the women wipe away the mess on the floor and bring out a wide stainless steel tray with 3″ sides. Flour is sifted in to the tray, water is added bit by bit and their strong, bony hands deftly knead the flour and water mixture into a smooth, elastic dough. Balls of dough are pinched off the large piece, rolled into balls, dipped in flour, flattened into small disks, rolled out, folded, floured, rolled, flipped and finally laid to rest on a pan, pre-heated on the kerosene burner. There is more flipping, and pressing of the dough to make cloud like puffs of air within the layers of dough. Of all the food I have watched the women prepare, the chapati is revered and each woman treats the dough slightly differently, some oil the dough while cooking, some splash it with water. It is eaten everyday and it is necessary for a cook to master the process.

When the food is cooked and ready to eat, all the cooking pots are moved under the tap to be washed later and a fabric or a woven plastic mat is laid out on the floor for seating. Water is poured, perhaps a mango drink is offered. Kane and Ashley are called from their work and the three of us eat, cross-legged on the floor, all eyes watching us.  The hospitality is gracious and sincere. Guests eat first, the family eats later, despite our protestations. Neighbours come by to see how we like the food, children lurk in doorways, and we pepper Ashley with questions about the food, the women and their families, their situations and where they came from. The stories are as varied as the women, and though they all have different financial situations from dire poverty to ownership of a slum home, they live in a community of people bound by a caste system with few opportunities to swim against the tide of poverty.

It has been an enriching experience. I will take with me their lessons on generosity, neighbours helping neighbours, giving when there is nothing to give, and the sincere attitude these women had when trying to teach the foreigner in their midst how to cook on one burner, without measuring, crouched in living spaces not much bigger than a western bathroom.

Though they have yet to dress me in a saree, but have intentions to, I have learned how to say “enough, no more”, in Marathi. “Bus, bus!!” I moan, as they try to feed me another plateful of food.

The Dirty Wall Project will be producing a cookbook of these recipes, with the women’s stories, and photographs of their families, themselves, and their homes. The cookbook will be for sale, with 100% of the proceeds used to make many lives more comfortable in india.

Sincerely,

Cindy Ryan

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Up Close and Personal

Posted in News on July 28th, 2012 by admin
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Written and photographed by Cindy Ryan

 

Flying low over Mumbai, the plane rushes over squares of torn blue plastic, pulled and pinched, secured with bricks and steel pipes. Squint your eyes and slum homes from the air resemble a river of water, its tributaries  invading every space not occupied by high-rise towers. With my forehead pressed against the window of the plane, I try to sort out which blue plastic roofs belong to the Saki Naka community and I get excited about landing. Soon I will be in the thick of it and my heart sings at the thought.

I’m only here for a scant three weeks this time and already my guts are telling me to stay longer. There is always so much to do, so many people to see, and what will I find behind the curtained doorways of the slum community this time?

I leave the plane with an imaginary coat of thin armour to protect me from what I can’t do in such a short amount of time and step out into the humid air of Mumbai. Kane, one of the few white faces in the crowded arrivals area, steps out and welcomes me once again. Suddenly, I am mobbed by Indu, Shashi, Seema and Ruby, who have waited patiently to welcome me. Now I am giddy with excitement again. I have worked side by side in the GCB centre with these beautiful women for months, and I think of them as friends, albeit the conversation is limited to what Indu can translate for all of us.

This whirling, active, bleak and bare bones community, stuffed with too many people, is also the scene of a meeting that has ended in a wedding, another reason why I have returned to Saki Naka. Sarah Petrescu, a journalist from Victoria B.C., volunteered with DWP last October. She immediately attached herself to the women of the GCB and helped us create prototypes and products before leaving for a volunteer stint in Bangalore. Within days of Sarah’s arrival in Mumbai, she attended a Diwali celebration in the community. Also invited to this event was Ashley Fernandes, a friend from Mumbai who has  contributed to DWP. A brief introduction in the midst of the overcrowded garden in the middle of the slum community during the Festival of Light, has led to their wedding 10 months later.

On July 26th, 2012, Sarah and Ashley were married in the Catholic church just down the road from Kane’s apartment. Wanting the community to be part of the celebration of the relationship which blossomed in their midst, Sarah and Ashley invited the GCB women and their small children and Ranjana and her family. Ashley Pereira (Janvi Charitable Trust), a devoted member of the church where they married, did a reading, and beautiful fabric garlands, made for Sarah by the GCB women, draped the elegant doorway to the church. A full circle of events inspired by the generosity of a slum community, friends and family, in the middle of the monsoon season where cement walls resemble, thick, wet, green sponges.

Between wedding festivities, I have been running after children in the slum, jumping over puddles thick with mud and gooey remnants of garbage, finding shelter from the rain in the school or in slum homes where I am invited for chai and dal, and nodding in faint comprehension in conversations conducted in Hindi or Marathi.

While the monsoon rains bring relief, and sometimes a cool breeze, slum dwellers, hiding from the rains, stay inside, breathing the foul air of their cramped huts. Infections, coughs, runny noses, plus lethargy, bring a host of complications to already fragile health. Sweet, young, frail Maya, who is four months pregnant with her fourth child, was hospitalized with the worry of TB. Almost excited for her to be confined to bed rest in the relative comfort of a soft bed in the confines of a hospital, I was incredulous when she was desperate to go back to her tiny home, where the family of five sleep in an 8 foot by 6 foot cement room, on plastic billboard vinyl laid over a bare cement floor. Putting aside my assumptions of comfort, I must understand this is what Maya knows and this small, damp hut is where her family heaps its joys and sorrows.

Opening my eyes in the morning, the first shaft of light from dull, cottony skies brightens the room where I sleep and I take it in. The rain water has been sucked through the coarse mix of sand and clay bricks that form the outside of the building, creating water stains on the side wall of the room, damp to the touch. Mould forms at the corners and the flaking paint on the ceiling above the whirling, clicking fan, threatens to fall in thin slices onto the bed. The honking that never abates invades the room with a crying, tinny sound. Mumbai is not comfortable, inside or out, it is never clean, never quiet and never dull. What is comfortable here is the people I have met, the slum community I feel at home in and the notion that why I’m here is because it’s where I should be. It will be hard to leave, again. It will be divine to be back in the fresh air of Vancouver, Canada. That is the push and pull of Mumbai, up close and personal.

 

* A full post about Sarah and Ashley’s wedding with photos from the beautiful day coming soon…

 

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Walking in the rain..

Posted in Projects on July 9th, 2012 by admin
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My shoulder rubs against the pale green wall of the school, and crumbling bits of paint fall to the ground behind me. I squeeze past a row of teen age kids, who are eager to get a look at the foreigner amongst them, and I smile, prompting laughter and giggles. I pass classroom after classroom, filled with row upon row of children, sitting at old wooden desks, surrounded by damp walls covered in flaking paint. The boys jet black hair is oiled tight to their head, the girls hair is braided and looped and tied with floppy, pressed, ribbons. Maybe, in these classrooms, sits a handful of India’s next generation of doctors and engineers.

I reach the main gate, which is a rusted metal door. Twenty women stand on the other side, clutching the bars. The scene resembles a women’s prison, and I hesitantly reach for the gate and slowly swing it open. A swirl of colourful sari’s part, and I move through the group of waiting mothers, and then I feel a hand on my arm. I turn around to see a Muslim woman in a full black burka. She releases the piece of fabric covering her face and smiles quietly. I recognize her as Javed’s mother. (Javed is one of her four children, and just last year had open heart surgery which nearly ruined the family financially).  I reach to shake her hand, which she offers to me, shyly. I tell her in broken Hindi that I have paid for her son’s yearly school fees, and she smiles and thanks me. Then I begin to tell her, that as a surprise, I have also paid her youngest daughter, Yasmine’s, school fees. She looks confused for a moment, and then her eyes well up with tears and she offers her hand again.  I clasp her hand in both of mine, and tell her, “You are most welcome”. I am humbled to be of help, and as I turn to walk away, she thanks me once more, and dabs at her eye with a piece of fabric.

June is the start of the new school year in Mumbai, and a very busy time for families, and all NGO’s working in the education sector across the city. DWP currently has nearly 60 sponsor children, from grade one to college, in about 15 different schools, throughout the area. Each June, parents looking for help, crowd the doors of Janvi’s centre, bombarding Ashley with stories of hardship and financial woes in a bid to get their child sponsored.  Discover Urjaa, (run by Vanessa and Vignesh Manjeshwar) runs an amazing sponsorship program through Janvi’s centre, with Ashley at the helm, sponsoring over 200 children.  In slum communities, almost everyone requires some help, but determining who needs the most help, is the difficult , strenuous and a frustrating part of the work. As Discover Urjaa reaches their threshold of children that they can sponsor for the school year, DWP steps in and takes on some of the cases that they could not.

Every day, for the past week, I have set out from the community, my notebook in hand and back pocket filled with worn Indian rupees, into the soaking wet streets of Saki Naka. Although I have visited these schools several times over the last few years, navigating the small network of alleys, jumping over huge puddles and dodging traffic is forever difficult and time consuming. When heavy rains fall suddenly, and without warning, I find myself huddled in shop doorways with groups of strangers, all quietly and happily waiting for whom ever is in charge, to turn off the tap, so we can all resume our lives and get back to the hustle of the maximum city.

I arrive to each school, find the fee counter, and lineup behind mothers and fathers, also waiting to pay. I encounter stares and intense curiosity where ever I go; a white spec in a brown landscape.

I practice my Hindi in my head as I wait in line, and finally it’s my turn. The rehearsed line is ready, sitting on my tongue. My mouth opens, and the practiced Hindi words that sounded so good in my head, come out garbled and backwards. I smile embarrassingly, and feel awkward as the grumpy woman behind the counter looks up for the first time and sees my white face and smiles condescendingly. I repeat the child’s name over and over till she tells me to stop, and then she quickly flips the pages of my damp notebook, looking for the records, feeling the burning stares of impatient mothers behind me. Five more minutes pass, and finally I reach for the rupees in my pocket and count out the full years fees. I’m handed my receipt, and I feel a sense of accomplishment and excitement. I turn around and realize, no one cares, or is particularly happy, that the guy with the “golden” hair and the speech impediment, has managed to do something right. I smile awkwardly for the hundredth time that day, and head for the exit. I immediately get lost again in the labyrinth of water-clogged alleyways, until a small girl takes pity on me, and walks me to the main road. I turn to thank her but she is gone, quickly disappearing into a row of tin shacks. A large truck thunders past, smashing a three-inch deep puddle, covering me in brown water and mud. I pull at my shirt, and wipe my face,  but it doesn’t matter. The sky opens up, and soon I’m soaked again, searching for cover and the next school….

In the past week, DWP has paid the full year fees for 18 children at 6 different schools across the Saki Naka area. I am working hard at reviewing last years sponsor children, and paying their fees, and I have also added three new cases this week. I’m a sucker for a heartbreaking story, and I find myself nodding and committing to new cases before I’m ready, adding to my workload, and the overall cost.

While DWP has been busy attending to the educational needs of individual cases, I have also purchased 250 school books (nursery rhyme, picture, and notebooks) for Janvi’s kindergarten class in Saki Naka. Each child has been given 3 books, and pencils, to help reduce the cost for their parents, and to encourage more parents to enrol their children in kindergarten to give them the chance at an education.

 

I would also like to thank DWP’s friend, Jaita Guha, from Mumbai, who, last year, arranged for 11 students to be sponsored via friends and colleagues. This year she has doubled her efforts, adding another 13 cases. She’s personally responsible for filling an entire classroom!

Cheers,

Kane Ryan

 

 

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